hotly anticipated does not really do justice to the level of excitement the release of reptile youths debut album is generating among fans and critics alike. those in the know are expecting the danish duo to deliver a defining moment of 2012 - injecting their off kilter brand of highly-charged electro-punk-pop into the worlds consciousness - and reptile youth arenÕt in the business of disappointing. reptile youth was formed by mads damsgaard kristiansen and esben vall¿e in 2009. it was their intense period of gigging through asia and europe that earned reptile youth their radically evangelical fan base, while also prompting a string of superlative-laden reviews hailing the youth as the saviors of rock n roll. hype aside, the incredible energy generated by kristiansen and vall¿e and their extended live line up have made the arrival of this debut album a red letter day for their clued up followers

the third album of the rongetz foundation, also recorded in new york, will be released end of 2012 and features musicians such as gregory porter, ronnie cuber, renee neufville or john robinson. on that session, rongetz goal was to dig more than ever into compositions that are bridging jazz with hip-hop and soul music.

ministry of sound uk pres. jaguar skills & his amazing friends vol. 1 - jaguar skills duerfte fans von mash-ups bereits als ein garant fŸr gro§en spa§ ein begriff sein. neben radio-shows auf u.a. bbc 1 und einer residenz im rahmen von jade jaggers jezebel nights auf ibiza zelebrieren jaguar skills & friends die derzeit wildesten und durchgeknalltesten mash up mixe! cd1 besticht durch ninja sound-effekte gepaart mit tracks, remixen und acapellas von u.a. frankie goes to hollywood Ÿber dj muggs feat. dizzee rascal & bambu bis hin zu goldie oder rave-veteranen wie 808 state. cd2 beinhaltet dann vier mini mash-up mixe von u.a. calverton, murkage, doorly uvm

incl. do it feat.romathony !

brilliant cd album from s_w_z_k, the new project from david brown aka swayzak!!

hardcore is not a trend but a lifestyle. the genre that once has grown in the netherlands, has also proven to survive in the underground when the hype in the late 90s seemed to be over. the ultimate hardcore collection proves that in this music genre there is still enough development and that the majority of dutch artists are still leading. the ultimate hardcore collection volume 2 compiles the freshest and most important records at the moment on two cd mixes. to make a long story short: for those who find hard not hard enough, this is the cd that you really must have!

los fulanos sind eines der besten dinge die barcelona zu bieten hat. ihre konzerte sind wie eine wilde party, wo afro-latin rhythms mit tausend anderen dingen zusammen kommen, vor allem soul, boogaloo, funk, disco, cuban rhythms, bolero. die los fulanos waren Ÿbrigens die studioband bei den aufnahmen des letzten albums fŸr den legendŠren joe bataan.

phat big room double cd

2 x cd in gatefold sleeve for those who want to know the background, it is something like this. i bought an italian drawbar organ module around two years ago. apparently italian organs from that period had a bad reputation but i was so happy with it that it appeared on most of the tracks i had been working on. i thought i had an album together and was supposed to get it mastered on the day after the mastering session for the pinch and shackleton release on honest jons (sometime towards the end of summer 2011)

after collaborating on exclusive tracks for the labels lovingly-acidic forward to the past series, dutch duo tj kong & modular k prepare to drop their debut full-length, dream cargoes on poker flat. having been friends and colleagues in the dutch electronic scene for well over a decade, the talented pair have so much experience in working on different studio projects, and now come together in this glorious full-length exploration of their vision of house and techno today. the artists erwin van moll (tj kong) and gijs janssen (modular k) represent two decades of collected experience in the underground techno and electronic music worlds.

perhaps most known for his lucha libre guise as mexicans with guns, san antonios ernest gonzales wears many masks. gonzales doesnt buckle under the weight of multiple personae. rather,he draws inspiration from his multifaceted background, producing a diverse swath of sounds covering various states of introspection.

whomadewho may lack a question mark after their name but their music will certainly have you asking after them. the copenhagen,denmark trio is difficult to pin down but their music sounds as effortless as it is stylistically and sonically adventurous. having formed in 2003, the genre-bending trio made up of jeppe kjellberg, tomas h¿ffding and tomas barfod honed their skills on stage and in the studio, releasing a series of bestselling records on munich based gomma and topped off by their kompakt released 2011 mini album knee deep.

please allow us the pleasure of introducing axel willner s loops of your heart. hailing from sweden, the man behind this record alone needs no introduction, as he is already well known in the electronic music scene for his project the field. loops of your heart reflects axel¼s experience in germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of cologne tape, a group that formed while he was staying there. you can also hear this on the much sought after debut render, which came out on magazine last year. only a foreshadow for what was to about to come, willner has been living in berlin and letting his creativity go crazy. with an arsenal of special synthesizers and guitars he has put together and never ending nights . after touring worldwide with the field for the last 10 years, and never ending nights is like coming home again. you can hear german children speaking outside his studio in berlin (on the track neukšlln ) and it is not only the track titles which tell of things that have come to an end and or are about to happen. the old german musical tradition of letting yourself go (holger czukay, you, anima, cluster, you name it) is in the air, and willner breathes it. his highly personal approach to music and composition leads to nothing less then a matchless album that embodies beginning anew

as the european summer draws to an end, the ibiza season winds down and the mediterranean breathes a moment of relaxation, our journey around the worlds most iconic beach clubbing destinations heads for the southern hemisphere and continues with an intoxicating mix of deep, oceanic grooves, tribal beats and sun-drenched melodies: house music for a decidedly exotic clubbing escape.

dj oliver & java from ibiza present deejaying around the globe in a 2cd mix compilation. incl. dirty souh, underworld, tocadisco and many more

status quo are set to release their new studio album at the end of may, which will also featuring an exclusive official bootleg life albuum recording in amsterdam & melbourne in 2010.

mit death s prozession erscheint das vierte album der kalifornischen stoner-metal band saviours. nach crucifire (2006), into abaddon (2008) und accelerate living (2009) lassen es die saviours scheinbar etwas ruhiger angehen. strotzen die drei ersten alben nur so vor anleihen aus dem black,- doom,- und death-metal-bereich, besinnt man sich nun wieder auf seine wurzeln und laesst verstaerkt den stoner und doom-einfluss in den vordergrund treten. oder wie schlagzeuger scott batiste erklaert: -der haupteinfluss auf dem neuen album war, dahin zurueckzukehren, wo wir herkommen: black sabbath, iron maiden, motoerhead, thin lizzyÉ- trotzdem ist der sound immer noch unverkennbar der der saviours, roh, laut und scheppernd.

fun, folky and charming oddball music from the short-lived, but often re-broadcast fingerbobs series for the bbc in the early 70s Ð starring hand puppets fingermouse, gulliver the seagull, scampi (who lives on a hand by the sand and the sea), flash the tortoise and canadian folk singer and narrator rick jones Ð whose songs and narration are the heart of this great soundtrack put together by the obscure sound library and soundtrack champion johnny trunk! the music is really sweet, with acoustic guitar, flute and bits of percussion Ð cheery and fun without being cut or cloying, with oddball, post hippie childrens show charm to spare! includes -fingerbobs theme-, -fingermouse theme-, -fingermouse incidental-, -scampis theme-, -seeds-, -enochs wheel 2-, -plasticine-, -shapes-, -little link-, -shiny thing-, -story of the wooden tower-, -fingermouse plays the organ- and more.

this, the second album from crookers features savage skulls, hudson mohawke, his majesty andre, surkin, bobmo, lazy antz, style of eye, keith & supabeatz, wax motif and neoteric, on the boards and sidesteps the pop/rave collabs that clutter this planet.

its a thing of stately, fragmented, charred beauty....this is a stone killer from first to last beat.

its been a long time comin.the inevitable paul white rap album! 4 years of carving out his own psychedelic (mainly instrumental) niche on the uks one handed music imprint, a lot of people have been asking when this was going to happen. loaded with shining appearances from the cream of current underground mcs: guilty simpson, marv won, danny brown, tranqill (ruling on one of paul whiteÕs rudest beats to date), homeboy sandman, moe pope and the crown prince of uk hip hop, jehst, folk talent, nancy elizabeth also makes an appearance. there are also plenty of whacked out instrumentals and skits to keep the beat-heds heady. tip!uk producer leads transatlantic talent on a freewheeling hip-hop adventure.

ugly duckling is back with their fifth full length album moving at breakneck speed. after more than a decade in the music business, young einstein, andy cooper and dizzy dustin are well accustomed to the recording process and for their latest lp the boys dug deep into their bag of tricks to create what they feel is their most dynamic and complete release to date. moving at breakneck speed is an exciting and musically exotic, adventure story that has our desperate heroes circling the globe to outrun an evil gang of super criminals determined to put an end to ud once and for all. the record is made up of 14 power packed tracks that showcase ugly duckling s classic production sound and the flavorful, humorously soulful vocal styles of dizzy and andy.

das dj koze prophetische qualitŠten besitzt, ist nicht erst seit dem tag bekannt, als er sich erstmals unter seinem guru-pseudonym swhaimi zu beat meldete. denn schon vor einigen jahren orakelte er beispielweise Ÿber die sŠngerin dominique dillon de byington alias dillon: >sie singt angenehm unperfekt und wahrhaftig. sie hat charakter. ich finde sie gut. sie hat eine schšne zukunft vor sich.< jene kommende zeit, die der weise hanseat der jungen kŸnstlerin aus berlin bereits damals prophezeite, ist nun herangebrochen, denn dillon hat sich in den letzten jahren oft an ihr klavier gesetzt und hinrei§end leise lieder geschrieben, die jedoch unbedingt ganz laut gehšrt werden sollten. >this silence kills< wurde co-produziert von tamer …zgšnenc (mit) und thies mynther (phantom / ghost, stella)

a brand new compilation featuring the a- and b-sides of all the bands chiswick singles. includes four tracks new to cd. when we recently came to re-press our long-standing the best of the damned, the pressing plant told us that, unfortunately, the films had been lost. rather than simply make a new set of films, we decided to make a completely new cd and so present you with the damned: the chiswick singles - and another thing... overseen by the producer of the bands chiswick releases, roger armstrong, the package comes with brand new high-end transfers from the original master tapes - the damned have never sounded better. an extensive trawl through box after box of saved material from that era means that the booklet features a lavishly illustrated package including rare photographs and tons of memorabilia.

its a love story: stil vor talent have long been mad about niconŽ and sascha braemer so that the recent past has seen some very memorable releases by the two producers. now its about time they join forces to release a whole album together. while sascha braemer only recently caused waves with his Ÿber-track people, nicone is a long-established pillar of top-class electronic music.

walls alessio natalizia and sam willis dont deal in perfect wholes. the kompakt duo return swiftly on the back of 2010 s critically lauded self titled debut, an album that picked up mojos coveted electronic album of the year, featured in nmes end-of-year lists, not to mention winning fans such as of jamie xx, caribou, james holden and impressing us trio battles so much that they have invited the pair on tour around the us this coming october. yet it isnt these admittedly impressive accolades that make the announcement of second lp >coracle< such an anticipated one, what makes walls so alluring is the fully immersive experience of their mellifluous electronica Ð reaching out far and wide to pull influences sonic, emotional and theoretical together into patterns of blissful phantasmagoria. taking their debut as the prototype, willis and natalizia have taken those initial early-sunrise evocations and pushed them to even more grandiose expanse

2011 collection featuring cuts from shuggie otis, sly & the family stone and aretha franklin.. the old grey whistle test has now been synonymous with quality music for 40 years. although possibly best know as a show for rock music, the show maintained an amazing variety when it came to choosing its artists, it really only had two criteria, 1, that the artists had released an album and 2 that they produced great music. this collection mostly features artists that appeared on the show but also include artists who for whatever reason didnt or couldnt appear on the show.

with the white isle summer coming to an end hed kandis saxophonist and vocalist laura fowles a.k.a the lovely laura and producer extraordinaire tyrrell come together to bring you their debut artist album straight from the sunsets of ibiza, hed kandi: balearica unplugged. they go back to basics, bringing the hed kandi fans a taste of their balearic musical roots. they disconnected the decks, ditched the electronic beats and unplugged the sound system stripping things back creating a medley of deliciously unplugged covers of their favourite dance songs. tyrrell picked up the six string, laid down some sensual acoustic guitar riffs and atmospheric chords, whilst laura added a splash of soft, husky, phenomenal vocals and sexy sax melodies. this all combined with additional production by the legendary steve miller a.ka. afterlife, brings you a wide, laid back collection all reworked with hed kandis own balearic acoustic treatment... always keeping a sunny disposition in mind. this one cd includes their favourite renditions of songs made famous by the likes of groove armada, calvin harris, deadmau5 & kaskade, friendly fires, empire of the sun and martin solvieg to name but a few. this essential eclectic collage of music is destined for ibizas renowned sunset strip for years to come, where legendary balearic hang out hotspots such as cafŽ del mar, savannahs or blue marlin celebrate the setting of the most talked about sunset, and balearica unplugged offers the perfect musical companion.

brill gui boratto release !! melodic techno / techhouse on top

daddy kevs label is proud to announce the release of ctrl alt delete, the debut album from free the robots. a staggering work of mind-warping electronics, fuzzed-out psych and devastating hip-hop beats, the impending release of ctrl alt delete will catapult free the robots to the forefront of the world renowned l.a. beat scene. initially started as a side project by chris alfaro in 2003, free the robots has quickly garnered a worldwide audience. combining dusty swap-meet samples, futuristic synthesizers and live instrumentation, free the robots has created a unique harmony of past sounds and future ruminations. much like his l.a. contemporaries flying lotus and nosaj thing, free the robots knows no genre boundaries. ctrl alt delete, which also features ikey owens of the mars volta, has been a long time coming. originally signed to alpha pup over two years ago, free the robots has put his heart and soul into this album. meticulously constructed, the album is a culmination of countless late nights at low end theory club, combined with a spirit of fearless experimentation. the result rattles with grit and swagger - a firm proclamation of free the robots sonic arrival.

nathan davis has been an internationally significant figure in jazz throughout the latter half of the 20th century, but to many his musical legacy remains little known. this album presents the music of nathan davis as it developed through the 60s and 70s, from bop through modal to world sounds and funk. having turned his back on the us he spent the 60s living in europe, playing and recording with jazz luminaries such as kenny clarke, art blakey and eric dolphy, before returning at the end of the decade to take up a career in teaching in pittsburgh.

dave.i.d likes to think for himself. always has done. its the reason why his debut album didnt go quite according to his initial plan. he was going to make, to use his own words, >something pretty simple and straightforward<. but then he noticed lots of his friends were discovering new beliefs. some even tried to convert him. >im very open-minded to different beliefs, but i question and see things slightly differently,< he says. without necessarily wanting to, he found himself reflecting on existential questions. >the album is a record of the time that it was made, and thats what was going on in my life at the time. i didnt necessarily want to make the debut album like that. i felt i had to make it<. the cerebral inspiration catapulted him into musics outer rim. he beamed back a dark, dense sometimes confrontational sound, but ultimately compelling sound. but, in the end, it turned out to be a happy accident because the resulting record, called >response< appropriately enough, is mind-bendingly inventive, brilliantly off-kilter and constantly surprising. crucially, the tough sonics are paired with killer melodies: this is deep, heavy music you can hum. the records he was listening to while making >response< help make sense of his singular sound

since his first two personal album releases on kilk records, serafim tsotsonis has been developing into a talented musician. with the release of his brand new album. beautiful people, the greek artist takes a step further, presenting even more facets of his diverse talent with a work of exceptional polyphonic delights.in the albums opening track red, green, blue, a unique postmodern lullaby, the serene atmosphere of a childs room, is pierced with the sounds of an urban environment. an imposing performance by zach soars together with a chorus comprised by mikael delta, kid moxie, kiki, antoneta kotsi, fay depasta and serafim himself. at the same time, dimitri vassilakis, one of the foremost recognized greek wind musicians, adds further brushstrokes of sensitivity with his saxophone. with relaxed beats, unequivocal references to 80s melancholic electronica and the vocals of kiki and kid moxie, my own sea invites the listener to dive into the waters of his own dream world. in a way, it constitutes a continuation of serafims past creations, as heard in his earlier works, a fact that is sure to satisfy the most loyal of the artists fans. the dubstep references in the intro of so good, are intertwined with the modern electronic sound of berlin and the saxophone of dimitri vassilakis comes in at the end, marking a shift that leads to an exploration of new sound structures, in which european metronomy meets neo-jazz. the most radio-friendly track of the album comes with far away, a mutated balearic rhythm interpreted unpredictably by the rock-tinged voice of norwegian sverre olav r¿dseth. catch the cloud is where the album really takes off. a deep tech anthem for clubbers around the world, one can imagine it featured on the soundtracks of films such as berlin calling, had it been released sooner

following on from our ludicrous but well-received sci-fi covers album >from the stars volume 1< in 2010 we thought it was time for a sequel. cue the hyper-driven >from the stars volume 2<, an album full of disco and synthy-themed cover versions from obscure and not-so-obscure science fiction. we must be out of our interstellar minds...

expect the unexpected, they say, and it should come as a surprise to many as we warmly welcome to the kompakt family one of americas most celebrated producers in dance music, john tejada! born in austria, he relocated to his current home of los angeles at the age of 8 and, following a brief career in hip-hop, found his home in electronic music. if you are even the slightest fan of the genre, you will be hard-pressed not to have heard his music over his decade+-long career. >parabolas< is a true highlight in john tejadas deep catalogue. bold words indeed for a producer who is known for unexpected variation and tremendous musical imagination

predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic, in flagranti introduces their new album, worse for wear.

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.

damn!30 anniversary edition! 2 cds incl. ben saunders, krystl, taio cruz, ali b..

18 killer tracks mixed by drumsound & simon bassline smith